The notoriously difficult second album syndrome, as it’s often known, sure is a real thing. But for me, this experience didn’t come from having to follow up something that was hugely successful. Instead, it emanated from the inner determination not to repeat what I’d done in the past and a ruthless execution of this promise to myself. However, this wasn’t the only reason for the four-year wait. There were the small matters of my elderly father’s death, a flood-ravaged house, and a whirlwind romance that led to an equally whirlwind marriage to a beautiful young lady from Dublin.
The last of those mitigating factors breathed much happiness into life, and it really gave a kickstart to the whole creative process. After scrapping a full album of material in 2021 for fear of self-plagiarism, an extended trip around Ireland with my new bride and my guitar seemed a plausible way to find the inspiration. While exploring the land of my birth, ideas began to flow and music began to trip from my fingers. My plan worked. It was time to hit the studio.
For this album, I called up my old friend, Philipp Groyssboeck, to play drums, along with his Austrian compatriot, Vinzenz Benjamin, on bass. The nucleus of the band was completed by Otger Garcia on hammond organ, Kelly O’Donohue on horns, João Paulo Drumond on percussion, and Paul McClure on bodhrán. Recording sessions took place in Ireland, England, Germany, Canada, USA, and the Czech Republic. There are too many other amazing musicians who played on the album to fully list here, but from a personal point of view, it was particularly cool to have my great friend, George De Angelis, guest on a few tracks. Perhaps the most memorable recording session, though, took place in Prague with the Czech Philharmonic, when they played on “You I Think Of”. That really was a spine-tingling moment.
However, one person deserves an extra special mention, and that is Chris James Ryan, my musical brother-in-arms, who co-produced and mixed the album. Chris dedicated an unbelievable amount of time and love to the music, and I will forever be indebted to him for helping me get my musical vision across what seemed like an ever-moving line.
All I can say is that it’s been an incredible journey, and I hope that you all enjoy the music as much as I enjoyed writing and performing it.